Roman Kugge

Deadstream (2022): One Haunted House. One Livestream. One Very Bad Night.

Horror and social media. The combination has been done before — Unfriended, Friend Request, Cam, Searching. Some landed. Some didn’t. The genre has enough failures to make you sceptical of every new entry that arrives wearing a ring light. Deadstream is the exception. Written and directed by the husband-and-wife team Joseph and Vanessa Winter — with Joseph also playing the lead — it’s ...[Read More]

Host (2020): 56 Minutes. One Zoom Call. Hold Your Breath.

Host is a horror film shot entirely during the COVID-19 lockdown, set on Zoom, and running to just 56 minutes. All of which invites a reasonable suspicion: that what we’re dealing with is a novelty — a pandemic experiment held together by circumstance rather than craft. That suspicion doesn’t survive the first act. Where to Watch Host? Powered by JustWatch What Host Is About Six friend...[Read More]

Searching (2018): A Father. A Screen. And a Daughter Who Vanished Without a Trace.

In the missing-person thriller Searching, director Aneesh Chaganty makes a choice that sounds like a gimmick — and turns out to be a masterstroke: everything the audience sees takes place exclusively on the screens of computers, laptops, and smartphones. What could have been a formal exercise becomes something far more unsettling. Because we already live there. And that’s exactly what makes ...[Read More]

End of Watch (2012): When Friendship Is the Only Shield

Two men. One patrol. And a city that wants to swallow them whole. David Ayer’s End of Watch is not a film that dazzles with an intricate plot structure. There’s no classical three-act arc, no grand revelation, no artful twist in the final moments. What you get instead is something rarer: the unvarnished feeling of being there. Right in the middle of it — in the passenger seat, under fi...[Read More]

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